Rank on the AFI List: #71
Synopsis (according to AFI.com)
James Ryan, who has parachuted into France during the Allied invasion of Europe, has just lost three brothers in combat. Government policy dictates that he should return home lest his family be deprived of all its male offspring. A team of soldiers, led by Captain John Miller and fresh from the beaches of Normandy, is assembled to find and save Private Ryan.
LET ME EXPLAIN...
Having never served in the military and experienced the terror of war, movies are really the only avenue to help me imagine what it might be like. And while there are other war movies on the AFI List, none of them seem as realistic and uncensored as "Saving Private Ryan" (Platoon probably comes the closest, but it definitely falls short in terms of effects and absolute realism). For example, the film's opening with the D-Day invasion is one of the most incredible scenes in movie history. It sets the stage for the rest of the film - being as true to war and battle as possible, without being gratuitous nor restrained in any way. That balance alone is a credit to Spielberg and everyone else who worked on it.
In addition to the incredible production value, the story carries an ethical question that adds to the confusion of the situation - when is one man's life worth risking the lives of 8 others? Given the situation presented in the film, there's no easy answer...except perhaps, FUBAR.
What makes this a "Top 100" Movie?
I would argue it's because this is the most true-to-life, realistic war movie ever made. It's meticulously produced, extremely well-acted, and so realistic I remember hearing about all the vets who got flashbacks while watching it. It was nominated for 11 Academy Awards, winning 5 of them including Best Director, Cinematography, Sound Effects, Editing, and Sound. It's a travesty that Shakespeare in Love won Best Picture over "Saving Private Ryan". I would also argue Tom Hanks deserved the Best Actor award, but 1999 was quite a bonanza when it came to great movies and acting performances, with Edward Norton in American History X and the winner Roberto Benigni in Life is Beautiful. Wow, that makes "Shakespeare in Love" winning Best Picture even more absurd, knowing those films didn't win it, either. Sheesh.
Complaints
Having credited this movie with outstanding production, I do have to point out three very minor details that have always bothered me.
1) During the D-Day invasion, when Wade, the medic, is administering morphine to the dying soldiers, it looks like he just holds the morphine over the guy's leg without actually pricking him with it (like they do later on in the movie).
2) Also during the D-Day invasion, after they break through and are about to flamethrow that big square shooting room thing, they throw 2 grenades into the trench leading to it, but only one explosion occurs. I always expect them to wait for the second explosion, but they proceed as if only one grenade was thrown. Hmm.....
3) In the final battle scene, when the Nazis shoot that huge 20mm gun at the tank swarming with US soldiers, one soldier is clearly a dummy standing straight up in one place before getting literally shot to pieces. The rest of the soldiers appear real and are moving, so that one in the middle really stands out like a sore thumb to me. (Check out the scene below to see what I'm talking about.)
LET ME SUM UP...
Amazing movie with incredibly realistic effects and an ethically compelling story. Perhaps the closest thing one can get to experiencing World War II for themselves.
MY RATING: 9.5/10 (0.5 higher from my previous rating)
"The Sixth Sense" (1999) - RE-WATCH
Rank on the AFI List: #89
Synopsis (according to imdb.com)
A boy who communicates with spirits that don't know they're dead seeks the help of a disheartened child psychologist.
LET ME EXPLAIN...
Here we come to the "Twist" movie. I remember "The Sixth Sense" was huge when it came out and made M. Night Shyamalan a household name. Since then, the famous twist ending has been referenced so many times in TV shows and pop culture it's basically become a punchline. It also introduced a new wave of making movies with crazy twist endings, some good, some bad, but none that compare to this one.
Even without the twist, this is still a great movie. It's well-acted and well-paced as the story builds and progresses steadily. It also hits on all the emotions, and is scary without being gratuitous. And the movie does a fantastic job of looking at several different types of relationships (mother and son, husband and wife, doctor and patient) very genuinely, and very equally throughout, which may have impressed me the most (just try to answer the question of which relationship was truly the most prominent in the story, or the most genuine).
What makes this a "Top 100" Movie?
"The Sixth Sense" has the greatest twist in film history. On top of being an exceptionally-made movie, the twist must have been what solidified its place on the AFI List. It was nominated for 6 Academy Awards: Best Picture, Best Director, Best Screenplay, Best Editing, and two acting nominations for Haley Joel Osment and Toni Collette.
Complaints?
Even though the movie introduces "rules" that ultimately make the twist ending work, it never explains what Bruce Willis does immediately before or immediately after certain scenes where some of the rules would really come into play (like when Cole comes home and finds Bruce Willis sitting down with his mom like they had been talking - what was going on before that scene and what did Bruce Willis seem to think was going on?). There's just a few holes like that that make me a little less impressed with the twist overall.
LET ME SUM UP...
Very well-done movie with the biggest twist in film history, even if a few holes exist in its logic.
MY RATING: 8/10 (0.5 higher from my previous rating)
Synopsis (according to imdb.com)
A boy who communicates with spirits that don't know they're dead seeks the help of a disheartened child psychologist.
LET ME EXPLAIN...
Here we come to the "Twist" movie. I remember "The Sixth Sense" was huge when it came out and made M. Night Shyamalan a household name. Since then, the famous twist ending has been referenced so many times in TV shows and pop culture it's basically become a punchline. It also introduced a new wave of making movies with crazy twist endings, some good, some bad, but none that compare to this one.
Even without the twist, this is still a great movie. It's well-acted and well-paced as the story builds and progresses steadily. It also hits on all the emotions, and is scary without being gratuitous. And the movie does a fantastic job of looking at several different types of relationships (mother and son, husband and wife, doctor and patient) very genuinely, and very equally throughout, which may have impressed me the most (just try to answer the question of which relationship was truly the most prominent in the story, or the most genuine).
What makes this a "Top 100" Movie?
"The Sixth Sense" has the greatest twist in film history. On top of being an exceptionally-made movie, the twist must have been what solidified its place on the AFI List. It was nominated for 6 Academy Awards: Best Picture, Best Director, Best Screenplay, Best Editing, and two acting nominations for Haley Joel Osment and Toni Collette.
Complaints?
Even though the movie introduces "rules" that ultimately make the twist ending work, it never explains what Bruce Willis does immediately before or immediately after certain scenes where some of the rules would really come into play (like when Cole comes home and finds Bruce Willis sitting down with his mom like they had been talking - what was going on before that scene and what did Bruce Willis seem to think was going on?). There's just a few holes like that that make me a little less impressed with the twist overall.
LET ME SUM UP...
Very well-done movie with the biggest twist in film history, even if a few holes exist in its logic.
MY RATING: 8/10 (0.5 higher from my previous rating)
"Snow White and the Seven Dwarfs" (1937) - RE-WATCH
Rank on the AFI List: #34
Synopsis (according to imdb.com)
Snow White, pursued by a jealous queen, hides with the Dwarfs; the queen feeds her a poison apple, but Prince Charming awakens her with a kiss.
LET ME EXPLAIN...
I hadn't seen this one in quite some time. The story is certainly a classic, but the entire 84 minutes really only has about 15 minutes of actual story (if that). The rest is just songs and doing mundane things like cleaning a house and washing up before dinner (I can understand the songs since it's Disney, but the other stuff?).
It's also pretty incredible what kind of freaky stuff Disney included in their classics, such as the Queen telling the huntsman to cut out Snow White's heart and give it to her in a box, the freaky branches-turning-to-hands that kept grabbing at Snow White as she ran away through the forest, etc.
It's a classic story and introduced the iconic seven dwarfs, but - except for its animated groundbreaking-ness - it's not all that great of a film.
What makes this a "Top 100" Movie?
It was the first ever animated feature film. That's it. It was nominated for Best Musical Score in 1938, and won an honorary award from the Academy for "a significant screen innovation which has charmed millions and pioneered a great new entertainment field (one statuette - seven miniature statuettes)" the following year.
Complaints?
I know it's just a fairy tale cartoon, but the story rarely progressed and was pretty boring. First, you get the story setup via the "Once upon a time" book opening, then Snow White sings with animals, then a little progression in the story, then Snow White sings with animals, then the dwarfs sing, then Snow White sings with the animals and dwarfs, then Snow White sings with just the dwarfs, then progression to the story's climax, then the dwarfs are sad, then a quick wrap-up ending. I like a little more story than that...
LET ME SUM UP...
The first animated film in history, of course it's on the list. It's a classic fairy tale that's fun enough, but there's virtually no story and too much singing for me to really enjoy.
MY RATING: 4/10 (No change from my previous rating)
Synopsis (according to imdb.com)
Snow White, pursued by a jealous queen, hides with the Dwarfs; the queen feeds her a poison apple, but Prince Charming awakens her with a kiss.
LET ME EXPLAIN...
I hadn't seen this one in quite some time. The story is certainly a classic, but the entire 84 minutes really only has about 15 minutes of actual story (if that). The rest is just songs and doing mundane things like cleaning a house and washing up before dinner (I can understand the songs since it's Disney, but the other stuff?).
It's also pretty incredible what kind of freaky stuff Disney included in their classics, such as the Queen telling the huntsman to cut out Snow White's heart and give it to her in a box, the freaky branches-turning-to-hands that kept grabbing at Snow White as she ran away through the forest, etc.
It's a classic story and introduced the iconic seven dwarfs, but - except for its animated groundbreaking-ness - it's not all that great of a film.
What makes this a "Top 100" Movie?
It was the first ever animated feature film. That's it. It was nominated for Best Musical Score in 1938, and won an honorary award from the Academy for "a significant screen innovation which has charmed millions and pioneered a great new entertainment field (one statuette - seven miniature statuettes)" the following year.
Complaints?
I know it's just a fairy tale cartoon, but the story rarely progressed and was pretty boring. First, you get the story setup via the "Once upon a time" book opening, then Snow White sings with animals, then a little progression in the story, then Snow White sings with animals, then the dwarfs sing, then Snow White sings with the animals and dwarfs, then Snow White sings with just the dwarfs, then progression to the story's climax, then the dwarfs are sad, then a quick wrap-up ending. I like a little more story than that...
LET ME SUM UP...
The first animated film in history, of course it's on the list. It's a classic fairy tale that's fun enough, but there's virtually no story and too much singing for me to really enjoy.
MY RATING: 4/10 (No change from my previous rating)
"Pulp Fiction" (1994) - RE-WATCH
Rank on the AFI List: #94
Synopsis (according to imdb.com)
The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
LET ME EXPLAIN...
As a Christian, I think I have a pretty high tolerance for "adult" themes and elements in film. Some examples: I'm not a fan of swearing, but I can tolerate it rather easily in movies like Phone Booth, Die Hard, and other films with potty language; I abhore violence, but even disturbingly violent Apocalypse Now captivates me, and I enjoy watching The Following on TV.
Having said that, two "adult" elements that really turn me off in movies or TV are sex and drugs (read my post on The Last Picture Show to get an idea of how I feel about the former).
In "Pulp Fiction", drugs are quite rampant and practically celebrated throughout, so it's a movie I would normally be repelled by. The peculiar thing is, I like the film. Even with all the drug elements, the way the story is told is so different, and the dialogue so unique (many of the conversations remind me of dialogue from Seinfeld, where the characters are just chit-chatting about seemingly random, irrelevant stuff), that I appreciate the film as a whole. It's so unconventional that I don't know of any other movie out there that this compares to in terms of structure. On the other hand, my wife really doesn't like this movie, and after it ended she asked the simple question, "what is the point of this movie?" Aside from the excuse to break as many conventions as possible in storytelling and shocking the audience, I didn't have an answer.
What makes this a "Top 100" Movie?
I'll leave it to a well-written AFI description of "Pulp Fiction": Maverick director Quentin Tarantino exploded conventional cinematic storytelling and single-handedly created a new genre – one that re-purposed well-worn pop cultural tropes into something fiercely original and uniquely his own. His non-linear crime story broke new ground with its irreverent dialogue, eclectic soundtrack, stylized violence and quintessentially cool ensemble cast – including Samuel L. Jackson and John Travolta as two contract killers at the beck and call of the city's kingpin. The movie was nominated for 7 Academy Awards, winning only one, deservedly for Best Original Screenplay.
Complaints?
It's too long. The infamous "Zed" storyline feels like the climax with the ending just around the corner, yet there are two more stories after that. "The Bonnie Situation" in particular tends to drag and slows the whole film down.
Another complaint is that "Pulp Fiction" is so low on the AFI List, at #94. I think this deserves to be much higher.
LET ME SUM UP...
One of the most uniquely original films ever made. It's a stylized yet gritty film that pulls no punches when it comes to language, drugs, and violence especially. It's a bit too long for me, and extremely lurid (the word used as part of the definition for "pulp" at the very beginning of the film), but very well done for what it is.
MY RATING: 7.5/10 (0.5 lower than my previous rating)
Synopsis (according to imdb.com)
The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
LET ME EXPLAIN...
As a Christian, I think I have a pretty high tolerance for "adult" themes and elements in film. Some examples: I'm not a fan of swearing, but I can tolerate it rather easily in movies like Phone Booth, Die Hard, and other films with potty language; I abhore violence, but even disturbingly violent Apocalypse Now captivates me, and I enjoy watching The Following on TV.
Having said that, two "adult" elements that really turn me off in movies or TV are sex and drugs (read my post on The Last Picture Show to get an idea of how I feel about the former).
In "Pulp Fiction", drugs are quite rampant and practically celebrated throughout, so it's a movie I would normally be repelled by. The peculiar thing is, I like the film. Even with all the drug elements, the way the story is told is so different, and the dialogue so unique (many of the conversations remind me of dialogue from Seinfeld, where the characters are just chit-chatting about seemingly random, irrelevant stuff), that I appreciate the film as a whole. It's so unconventional that I don't know of any other movie out there that this compares to in terms of structure. On the other hand, my wife really doesn't like this movie, and after it ended she asked the simple question, "what is the point of this movie?" Aside from the excuse to break as many conventions as possible in storytelling and shocking the audience, I didn't have an answer.
What makes this a "Top 100" Movie?
I'll leave it to a well-written AFI description of "Pulp Fiction": Maverick director Quentin Tarantino exploded conventional cinematic storytelling and single-handedly created a new genre – one that re-purposed well-worn pop cultural tropes into something fiercely original and uniquely his own. His non-linear crime story broke new ground with its irreverent dialogue, eclectic soundtrack, stylized violence and quintessentially cool ensemble cast – including Samuel L. Jackson and John Travolta as two contract killers at the beck and call of the city's kingpin. The movie was nominated for 7 Academy Awards, winning only one, deservedly for Best Original Screenplay.
Complaints?
It's too long. The infamous "Zed" storyline feels like the climax with the ending just around the corner, yet there are two more stories after that. "The Bonnie Situation" in particular tends to drag and slows the whole film down.
Another complaint is that "Pulp Fiction" is so low on the AFI List, at #94. I think this deserves to be much higher.
LET ME SUM UP...
One of the most uniquely original films ever made. It's a stylized yet gritty film that pulls no punches when it comes to language, drugs, and violence especially. It's a bit too long for me, and extremely lurid (the word used as part of the definition for "pulp" at the very beginning of the film), but very well done for what it is.
MY RATING: 7.5/10 (0.5 lower than my previous rating)
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